Smells Like Teen Spirit amp settings — Marshall DSL40CR
The Nirvana guitar tone for “Smells Like Teen Spirit”, dialed in for a Marshall DSL40CR with a Epiphone SG Standard. Studio version, Nevermind (1991) — Sound City Studios recording with Butch Vig
Early-'90s Japanese Fender Stratocaster (Seymour Duncan JB humbucker at bridge), Mesa/Boogie Studio preamp (Rhythm channel, clean setting) into Crown Power Base 2 power amp, Marshall 1960B 4x12 with Celestion G12T-75s, Boss DS-1 Distortion, EHX Small Clone chorus
| Knob | Setting (0–10) |
|---|---|
| Gain | 3 |
| Bass | 4 |
| Mid | 5 |
| Treble | 6 |
| Presence | 4 |
| Reverb | 0 |
| Master | 5 |
01Boss NS-2 Noise Suppressor
Run DS-1 in the NS-2's effects loop (Send/Return) to gate the high-gain buzzy signal
02Boss SD-1 Super Overdrive
Substituting for Boss DS-1 — SD-1 has similar clipping circuit; push Level hard, keep Tone from getting too harsh. This is the main distortion source; amp stays clean
03BOSS CH-1 Chorus
Substituting for EHX Small Clone — engage only on clean verses and pre-chorus; bypass during main riff/solo
04Boss GE-7 Equalizer
Optional but recommended — replicates Andy Wallace's mix EQ: cut low-mids (400-800Hz), boost upper-mids (3.2kHz). Place after drive
Cobain ran his Mesa preamp clean and used the DS-1 as his only gain source—your DSL40CR's Classic Gain channel on clean mode replicates this platform. Your SG's humbuckers are hotter and warmer than his JB-equipped Strat, so I dropped amp gain to 3 and treble stays moderate at 6 to avoid mud. The SD-1 is close enough to the DS-1's hard-clipping character; crank Level to push the clean amp hard.
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These settings are for a Marshall DSL40CR. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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