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Killer Queen amp settings — Marshall DSL40CR

The Queen guitar tone for “Killer Queen”, dialed in for a Marshall DSL40CR with a Ibanez RG550. Studio version, Sheer Heart Attack (1974)

Original rig

Red Special (bridge+middle in series) → Silicon treble booster → Vox AC30 Normal channel (cranked), room mic blended for ambience

Smooth, lush midrange overdrive with rich harmonics and singing sustain—not gritty or aggressive
Amp settings — Marshall DSL40CR
CHANNELClassic Gain (Green)BRIGHToffBOOSToff
GAIN 5 BASS 5 MID 7 TREBLE 5 PRESENCE 4 REVERB 2 MASTER 5
KnobSetting (0–10)
Gain5
Bass5
Mid7
Treble5
Presence4
Reverb2
Master5
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Guitar
PICKUPbridge+middle TONE7 VOLUME10
Signal chain

01Treble Booster (e.g., BSM RM, Catalinbread Naga Viper, or TC Electronic Spark Mini as clean boost)

RECOMMENDED — not currently owned. This is essential to the Brian May sound; it pushes mids and adds harmonic richness. Without it, increase amp gain to 6 and treble to 6, but you'll lose some of the singing quality.

Level/Boost 6 · Range/Tone 7
Why these settings

The DSL40CR is mid-forward like the AC30 but has more inherent gain and a tighter low end. Use Classic Gain channel to stay smooth—Ultra Gain would be too aggressive. Mids pushed to 7 compensates for the RG550's brighter, thinner humbuckers vs the Red Special's fat in-series wiring. Presence dropped to 4 because Marshalls get fizzy where AC30s stay creamy. Treble held at 5 (vs the original's brighter booster) because the RG's humbuckers are already articulate.

PRO TIPRoll your tone knob to 7 and use your neck pickup's volume to blend in warmth if your RG has independent volumes—this mimics the Red Special's series wiring that fattens the bridge pickup. Pick closer to the neck for that vocal, singing sustain on the solo lines.

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These settings are for a Marshall DSL40CR. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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