Tone library / Alice In Chains / Man In the Box (Live)

Man In the Box (Live) amp settings — Marshall DSL40CR

The Alice In Chains guitar tone for “Man In the Box (Live)”, dialed in for a Marshall DSL40CR with a Epiphone SG Standard. Live performance tone, post-reunion era (2006-present touring rig)

Original rig

Friedman JJ 100W head, G&L Rampage with single bridge humbucker, Dunlop Cry Baby wah, TS-9 Tube Screamer, MXR 10-band EQ, Boss NS-2 Noise Suppressor

Aggressive mid-forward grind with chainsaw-like bite, slightly darker and thicker than studio, wah-heavy riff sections
Amp settings — Marshall DSL40CR
CHANNELUltra Gain (Green crunch mode)BRIGHToffBOOSToff
GAIN 7 BASS 6 MID 8 TREBLE 7 PRESENCE 5 REVERB 0 MASTER 5
KnobSetting (0–10)
Gain7
Bass6
Mid8
Treble7
Presence5
Reverb0
Master5
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Guitar
PICKUPbridge TONE7 VOLUME10
Signal chain

01Boss NS-2 Noise Suppressor

Run guitar into NS-2 input, amp into NS-2 send/return loop for tightest gating

Threshold 4 · Decay 5

02Earthquaker Devices Plumes

Mode 2 (symmetrical clipping) — acts as mid-push boost like Jerry's TS-9, low gain for tightening

Gain 2 · Tone 6 · Level 6

03Boss GE-7 Equalizer

Replicates MXR 10-band function — push upper mids for cut, slight low cut to reduce mud

100Hz 4 · 200Hz 5 · 400Hz 5 · 800Hz 7 · 1.6kHz 6 · 3.2kHz 6 · 6.4kHz 5 · Level 5

04Jim Dunlop Cry Baby GCB95

Engage for the iconic talk-box-style riff; heel-down position for darker vowel sounds, rock forward for bite

Why these settings

Your DSL40CR's EL34 power section matches Jerry's Friedman/Marshall-derived voicing closely. The Ultra Gain channel on green mode delivers the mid-forward grind without the fizz of red mode. Presence dropped to 5 vs original's 6 because the DSL's presence is brighter than the Friedman JJ. Your SG's dual humbuckers are warmer than Jerry's single-humbucker Rampage, so treble stays at 7 and the Plumes adds the missing upper-mid bite.

PRO TIPFor the main riff, keep the wah in a fixed half-cocked position (about 30% toe-down) rather than rocking it — this creates that nasal, vowel-like filter that defines the song's signature sound.

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These settings are for a Marshall DSL40CR. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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