Comfortably Numb amp settings — Vox AC30C2
The Pink Floyd guitar tone for “Comfortably Numb”, dialed in for a Vox AC30C2 with a Fender American Original 60s Stratocaster. Studio version, The Wall (1979) — second solo tone (the iconic outro lead)
1969 Fender Stratocaster (Black Strat) with DiMarzio FS-1 bridge pickup, custom Hiwatt DR103 100W head (linked channels), WEM Super Starfinder 4x12 with Fane Crescendo speakers, Yamaha RA-200 rotary speaker in parallel; MXR Dyna Comp, Electro-Harmonix Big Muff Pi (Ram's Head c.1974), delay (Echorec/tape)
| Knob | Setting (0–10) |
|---|---|
| Gain | 3 |
| Bass | 5 |
| Mid | 5 |
| Treble | 5 |
| Reverb | 0 |
| Master | 6 |
01TC Electronic PolyTune 3
Tuner — bypass when playing
02Boss CS-3 Compression Sustainer
Replaces MXR Dyna Comp — smooths pick attack, adds bloom before the fuzz
03EHX Big Muff Pi
THE gain source — Sustain lower than expected is the secret; Tone rolled warm to tame fizz
04Boss CE-2W Chorus
Standard mode; emulates Yamaha RA-200 rotary modulation — slow, subtle swirl
05Boss DD-8 Digital Delay
Mode: Standard; ~440ms delay time; mix low for ambient wash, not slapback
The AC30 has less clean headroom than Gilmour's Hiwatt, so keep gain at 3 to stay clean — the Big Muff provides all saturation. The AC30's mid-forward chime actually suits this tone well; kept treble flat at 5 rather than the Hiwatt's slight cut because the Vox is naturally warmer in the highs. AC30C2 has no presence knob — that voicing is baked in. Bright switch off prevents ice-pick frequencies competing with the Big Muff's fuzz.
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These settings are for a Vox AC30C2. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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