Cowboys From Hell amp settings — Harley Benton HB-10G
The Pantera guitar tone for “Cowboys From Hell”, dialed in for a Harley Benton HB-10G with a Harley Benton WL-20. Studio version, Cowboys From Hell album (1990)
Randall RG100HT solid-state head, Furman PQ-3 parametric EQ, MXR 6-Band EQ, Dean ML with Bill Lawrence XL500 bridge pickup
| Knob | Setting (0–10) |
|---|---|
| Gain | 10 |
| Bass | 7 |
| Mid | 2 |
| Treble | 8 |
| Presence | 0 |
| Reverb | 0 |
| Master | 6 |
01Boss DS-1 Distortion
RECOMMENDED — not currently owned. Essential for this tone. The HB-10G lacks the gain and EQ sculpting capability to achieve Dimebag's chainsaw attack. A DS-1 or similar high-gain pedal is necessary.
02Noise Gate (any budget model)
RECOMMENDED — not currently owned. High-gain into a budget amp creates significant noise. Dime used a Rocktron Hush for the same reason.
The HB-10G is a 10-watt practice amp with limited gain and a basic EQ section — it cannot replicate Dimebag's tone on its own. His rig relied on external EQ boosting mids and highs by +30dB before hitting a solid-state Randall at full gain. Without a distortion pedal, you will get a thin, fizzy approximation. I have set mids to 2 (scooped like original), treble high at 8 to capture his cutting attack, and gain maxed. A DS-1 in front with the amp's gain rolled back slightly would get you closer.
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These settings are for a Harley Benton HB-10G. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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