Master of Puppets amp settings — Harley Benton HB-10G
The Metallica guitar tone for “Master of Puppets”, dialed in for a Harley Benton HB-10G with a Harley Benton SC-Custom II. Studio version, Master of Puppets album (1986)
Jackson King V with EMG 81 (bridge) → Mesa/Boogie Mark IIC+ preamp slaved into Marshall JCM800 power amp, 5-band graphic EQ set to V-shape (boosted lows, scooped mids, boosted presence)
| Knob | Setting (0–10) |
|---|---|
| Gain | 8 |
| Bass | 7 |
| Mid | 2 |
| Treble | 7 |
| Presence | 0 |
| Reverb | 0 |
| Master | 5 |
The HB-10G is a small solid-state practice amp with limited headroom and a boxy speaker — it cannot replicate the Mark IIC+'s tube saturation or the JCM800's power amp punch. Gain is maxed to compensate for the lack of tube compression. Mids are dropped to 2 to approximate the V-curve scoop, bass pushed to 7 for the low-end thump, treble at 7 for pick attack. This amp has no presence control, so that's zeroed. The tone will be thinner and fizzier than the original; focus on tight palm-muting technique to compensate.
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These settings are for a Harley Benton HB-10G. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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