Paranoid amp settings — Harley benton HB-10G
The Black Sabbath guitar tone for “Paranoid”, dialed in for a Harley benton HB-10G with a HARLEY BENTON Explorer. Studio version, Paranoid album (1970), standard E tuning
Gibson SG Standard ('Monkey') → Dallas Rangemaster treble booster (modified) → Laney LA100BL head into 4x12 cabs, normal channel input, amp dimed with no bass
| Knob | Setting (0–10) |
|---|---|
| Gain | 8 |
| Bass | 2 |
| Mid | 8 |
| Treble | 7 |
| Presence | 0 |
| Reverb | 0 |
| Master | 6 |
The HB-10G is a small solid-state practice amp with limited gain and no presence control — it cannot replicate the Rangemaster's harmonic push or the Laney's tube saturation. Gain is maxed relative to what the amp offers, mids pushed hard to approximate Iommi's 10/10/10/0 setting, but treble pulled back from 10 to 7 because solid-state amps get harsh and fizzy where tube amps stay musical. Bass at 2 (not 0) compensates for the Explorer's thinner low-end vs an SG. This gets you the general aggression and mid-forward cut, but the amp physically cannot produce the harmonic richness or sustain of the original — a treble booster pedal (TC Electronic Spark Booster, Electro-Harmonix LPB-1, or any Rangemaster clone) would transform this rig.
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These settings are for a Harley benton HB-10G. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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