Tone library / Metallica / For whom the bell tolls

For whom the bell tolls amp settings — Harley Benton HB-10G

The Metallica guitar tone for “For whom the bell tolls”, dialed in for a Harley Benton HB-10G with a Harley Benton DC-200LH. Studio version, Ride the Lightning (1984)

Original rig

Gibson Flying V (bridge humbucker) → Ibanez TS9 Tube Screamer (boost mode) → Marshall JCM800 2203

Tight, aggressive palm-muted thrash with scooped mids and cutting high-end bite
Amp settings — Harley Benton HB-10G
CHANNELOverdrive (OD)
GAIN 10 BASS 6 MID 4 TREBLE 7 PRESENCE 0 REVERB 0 MASTER 5
KnobSetting (0–10)
Gain10
Bass6
Mid4
Treble7
Presence0
Reverb0
Master5
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Guitar
PICKUPbridge TONE10 VOLUME10
Signal chain

01Tube Screamer style overdrive (TS9 / TS808 clone)

RECOMMENDED — not currently owned. Used as a clean boost to tighten low-end and add pick attack. Without this pedal, the HB-10G's gain will be looser and fuzzier than the original; a cheap TS clone (Joyo Vintage Overdrive, Behringer TO800) gets you 80% there for under $30.

Drive 2 · Tone 6 · Level 8
Why these settings

The HB-10G is a small solid-state practice amp with limited headroom and a darker, boxier voicing than a JCM800. I maxed gain because this amp won't reach JCM800 saturation levels—it will sound more fuzzy than tight. Bass raised +2 vs original to compensate for the small speaker's lack of low-end thump, mids dropped slightly to approximate the 80s thrash scoop. Without a TS-style boost pedal in front, you will not achieve the tight palm-mute definition Hetfield gets; the pedal is critical to this tone.

PRO TIPLock your picking hand into strict downstrokes directly over the bridge pickup pole pieces, muting hard with the heel of your palm—Hetfield's attack is 50% of this tone. Tune to E♭ standard to match the recording.

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These settings are for a Harley Benton HB-10G. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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