Master of Puppets amp settings — Marshall DSL40CR
The Metallica guitar tone for “Master of Puppets”, dialed in for a Marshall DSL40CR with a Epiphone Les Paul Classic. Studio version, Master of Puppets album (1986), tracked at Sweet Silence Studios with Flemming Rasmussen
Mesa Boogie Mark IIC+ (preamp) → modified Marshall JCM800 100W (power amp) → Marshall 1960 4x12 cabs; Jackson King V 'Kill Bon Jovi' with EMG 81 (bridge)
| Knob | Setting (0–10) |
|---|---|
| Gain | 7 |
| Bass | 7 |
| Mid | 3 |
| Treble | 7 |
| Presence | 5 |
| Reverb | 0 |
| Master | 5 |
01Boss GE-7 Equalizer
RECOMMENDED — not currently owned. Place in FX loop for post-gain EQ sculpting. This is essential for the V-curve scoop that defines the MOP tone; without it you get generic Marshall aggression, not the Metallica sound.
Your DSL40CR is a direct descendant of the JCM800 power section Hetfield actually used, so presence and power-amp response translate well. The Mark IIC+ preamp's scoop came from its 5-band graphic EQ — your DSL lacks this, so mids are set to 3 (lowest practical before mud) and I strongly recommend a GE-7 in the loop to carve the 400-800Hz valley. Your Epiphone's Alnico Classic humbuckers are warmer and less compressed than EMG 81s, so gain stays at 7 rather than dropping — you need the extra saturation to compensate for lower pickup output.
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These settings are for a Marshall DSL40CR. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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