Tone library / Metallica / Harvester of sorrow

Harvester of sorrow amp settings — Fender Champion 20

The Metallica guitar tone for “Harvester of sorrow”, dialed in for a Fender Champion 20 with a Fender Player Stratocaster. Studio version, ...And Justice for All (1988)

Original rig

Mesa/Boogie Mark IIC++ (Lead channel, gain 10, mids near 0), ESP MX-220 with EMG 81 bridge pickup, B&B/Aphex EQF-2 parametric EQ for extreme V-curve scoop, Marshall 1960B 4x12 cabs

Crushing, scooped mid-heavy palm-muted thrash with tight low-end and cutting highs — dry, aggressive, no reverb
Amp settings — Fender Champion 20
CHANNELVoice switch: position 1 (more gain)
GAIN 10 BASS 7 MID 2 TREBLE 7 PRESENCE 0 REVERB 0 MASTER 6
KnobSetting (0–10)
Gain10
Bass7
Mid2
Treble7
Presence0
Reverb0
Master6
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Guitar
PICKUPbridge TONE7 VOLUME10
Signal chain

01Boss DS-1 Distortion (RECOMMENDED — not currently owned)

RECOMMENDED — not owned. The Champion 20's solid-state gain cannot replicate Mark IIC++ saturation. A DS-1 or similar high-gain distortion pedal is essential for this tone. Run into clean amp (gain at 3 if using pedal).

Tone 6 · Level 8 · Dist 10
Why these settings

The Champion 20 is a practice amp with limited gain and a Fender-voiced bright/scooped EQ — it cannot produce Mark IIC++ saturation on its own. I maxed gain and scooped mids to approximate the V-curve, but you need a high-gain distortion pedal to get anywhere close. Your Strat's single coils are lower output and brighter than Hetfield's EMG 81s, so I raised bass +4 and kept treble at 7 to compensate for the thinner low-end.

PRO TIPHetfield's tone is 100% strict downpicking with heavy palm muting right at the bridge saddles — the pick attack and muting position matter more than any knob for that percussive chunk.

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These settings are for a Fender Champion 20. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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