Paranoid amp settings — Fender Champion 20
The Black sabath guitar tone for “Paranoid”, dialed in for a Fender Champion 20 with a Fender Player Stratocaster. Studio version, Paranoid album (1970)
Gibson SG Standard (bridge pickup) → Dallas Rangemaster treble booster → Laney LA100BL heads into 4x12 cabs, inputs overloaded for preamp saturation
| Knob | Setting (0–10) |
|---|---|
| Gain | 7 |
| Bass | 2 |
| Mid | 10 |
| Treble | 8 |
| Presence | 0 |
| Reverb | 0 |
| Master | 6 |
01Treble Booster / Tube Screamer style OD (e.g., Boss SD-1, Ibanez TS9)
RECOMMENDED — not currently owned. The Rangemaster is essential to Iommi's tone; a TS-style pedal with low drive and high tone approximates that treble-forward boost. Without this, the Fender's clean headroom cannot replicate the aggressive cut.
The Champion 20 is a scooped, bright solid-state Fender — the opposite of Iommi's mid-heavy overloaded Laney. I maxed the mid knob to compensate for the Fender's natural mid-scoop, dropped bass to 2 (Iommi ran zero bass but your Strat's single coils are already thin), and pulled treble back to 8 because your amp's treble shelf is higher than a Laney and the Strat bridge pickup is already ice-picky. Without an overdrive pedal, this amp cannot achieve the harmonic saturation of the original — the recommended TS-style pedal is critical.
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These settings are for a Fender Champion 20. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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