Tone library / Foo fighters / Everlong

Everlong amp settings — Glarry Ga-20

The Foo fighters guitar tone for “Everlong”, dialed in for a Glarry Ga-20 with a Glarry Gst. Studio version, The Colour and the Shape (1997) — Main driving riff/chorus

Original rig

Gibson ES-335 into Mesa/Boogie Dual Rectifier (Red Channel) blended with Fender Tone Master, 4x12 cab with Celestion V30s

Thick, high-gain post-grunge wall-of-sound with aggressive upper-mid punch
Amp settings — Glarry Ga-20
CHANNELDrive
GAIN 7 BASS 6 MID 6 TREBLE 5 MASTER 5
KnobSetting (0–10)
Gain7
Bass6
Mid6
Treble5
Master5
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Guitar
PICKUPbridge TONE8 VOLUME10
Signal chain

01ProCo Rat 2

RECOMMENDED — not currently owned

Distortion 7 · Filter 5 · Volume 7
Why these settings

The Glarry GA-20 practice amp lacks the cascading low-end thump of a Mesa Rectifier, so engage its built-in Drive channel with gain at 7 for playable saturation. Pull the Strat bridge pickup's tone back to 8 and keep amp treble at 5 to prevent single-coil harshness through the small 8-inch speaker. Clean intro/verse: roll the guitar volume down to 6 or switch to the clean channel.

PRO TIPDave Grohl's aggressive high-speed 16th-note strumming pattern demands consistent down-up alternate picking close to the bridge to achieve that percussive attack.

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These settings are for a Glarry Ga-20. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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