Tone library / Ozzy Osbourne / Paranoid

Paranoid amp settings — Glarry GA-20

The Ozzy Osbourne guitar tone for “Paranoid”, dialed in for a Glarry GA-20 with a Glarry Stratocaster. Studio version, Paranoid album (1970) — Tony Iommi's tone, not an Ozzy solo recording

Original rig

Gibson SG Standard with bridge humbucker → Dallas Rangemaster treble booster → Laney LA100BL (Marshall-style circuit), presence/mid/treble on 10, bass at 0

Tight, aggressive mid-forward crunch with treble cut and minimal low-end — dry, punchy, and percussive
Amp settings — Glarry GA-20
GAIN 7 BASS 2 MID 8 TREBLE 6 PRESENCE 7 REVERB 0 MASTER 6
KnobSetting (0–10)
Gain7
Bass2
Mid8
Treble6
Presence7
Reverb0
Master6
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Guitar
PICKUPbridge TONE10 VOLUME10
Signal chain

01Overdrive/Distortion (your unit — use as treble booster)

This replaces the Rangemaster — crank the tone knob to push upper mids and treble, moderate gain. The pedal is doing most of the distortion work.

Gain/Drive 6 · Tone 8 · Level/Volume 7
Why these settings

The Glarry GA-20 is a small solid-state practice amp with limited headroom and a neutral-to-dark voicing. Iommi's Laney ran with zero bass and maxed treble/mids — your amp won't have that same treble bite, so I've pushed mids to 8 and dropped bass to 2 to compensate. Your Strat's single coils are brighter but lower output than Iommi's SG humbuckers, so the overdrive pedal gain is set to 6 to make up the difference without getting fizzy. The original recording is bone dry — no reverb.

PRO TIPIommi's attack is critical — he picks hard and slightly palm-mutes the low E string on the main riff. Dig in with the pick near the bridge for that tight, percussive chunk; playing soft will lose the riff's aggression entirely.

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These settings are for a Glarry GA-20. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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