Johnny B. Goode (Live At Berkeley Community Theater, Berkeley, CA) amp settings — Fender Acoustasonic 15
The The Jimi Hendrix Experience guitar tone for “Johnny B. Goode (Live At Berkeley Community Theater, Berkeley, CA)”, dialed in for a Fender Acoustasonic 15 with a Harley Benton DC-580 CH Vintage Series. Live, Berkeley Community Theater, May 30, 1970 (1st show) — released on 'Hendrix In The West' and 'Johnny B. Goode' album
Marshall Super Lead 100W (Plexi) cranked, 1968 Fender Stratocaster (strung upside-down for left-hand), minimal pedals on this track — raw amp tone with possible light fuzz
| Knob | Setting (0–10) |
|---|---|
| Gain | 0 |
| Bass | 3 |
| Mid | 7 |
| Treble | 6 |
| Presence | 0 |
| Reverb | 0 |
| Master | 7 |
01Behringer Overdrive Distortion OD100
This pedal is your ENTIRE gain source — the Acoustasonic 15 is a clean acoustic amp with no overdrive capability. Set Drive moderate (not maxed) to retain note definition and pick dynamics. The OD100's TS-style circuit will add the mid-push Hendrix got from his Plexi.
The Fender Acoustasonic 15 is a 15W acoustic amp — it has zero natural overdrive and a flat, hi-fi response. Your OD100 pedal must provide ALL the grit. I've set amp gain to 0 and pushed mids to 7 (vs typical Fender scoop) to approximate the Marshall Plexi's mid-forward bark. Your DC-580's humbuckers are hotter than Hendrix's Strat single-coils, so I've kept pedal Drive at 4 instead of higher to avoid mud.
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These settings are for a Fender Acoustasonic 15. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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