There Is a Light That Never Goes Out amp settings — Fender Acoustasonic 15
The The Smiths guitar tone for “There Is a Light That Never Goes Out”, dialed in for a Fender Acoustasonic 15 with a Harley Benton DC Custom-II Cherry. Studio version, The Queen Is Dead (1986)
Rickenbacker 330 (both pickups) → Roland JC-120 + Fender Twin Reverb (blended), JC-120 onboard chorus, studio delay
| Knob | Setting (0–10) |
|---|---|
| Bass | 4 |
| Treble | 7 |
| Master | 5 |
The Acoustasonic 15 is a small acoustic amp with only Bass, Treble, and Master Volume controls—no gain, mid, presence, or reverb knobs exist on this amp. Your DC Custom with humbuckers is darker and hotter than Marr's Rickenbacker, so I'm using the neck pickup with tone rolled slightly back to approximate the glassy chime, and pushing treble high to recover brightness. This amp cannot produce chorus or delay, which are essential to the original tone.
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These settings are for a Fender Acoustasonic 15. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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