Good Old-Fashioned Lover Boy amp settings — Fender Acoustasonic 15
The Queen guitar tone for “Good Old-Fashioned Lover Boy”, dialed in for a Fender Acoustasonic 15 with a Harley Benton DC-580 CH Vintage Series. Studio version, A Day at the Races (1976) — layered rhythm and melodic lead parts
Vox AC30 (Top Boost channel), Brian May Red Special with Burns Tri-Sonic single coils, Treble Booster (Dallas Rangemaster style), Deacy Amp for some layers
| Knob | Setting (0–10) |
|---|---|
| Gain | 0 |
| Bass | 5 |
| Mid | 0 |
| Treble | 6 |
| Presence | 0 |
| Reverb | 3 |
| Master | 6 |
01Behringer Overdrive Distortion OD100
Set to Overdrive mode (not Distortion). This is your primary gain source — the Acoustasonic 15 is a clean acoustic amp with no breakup capability. Push Level to hit the front end with more signal.
The Fender Acoustasonic 15 is designed for acoustic guitars and has zero overdrive capability — it stays clean at all volumes. Your OD100 pedal must provide ALL the grit. Brian May's AC30 crunch and treble booster bite are approximated here by running the OD100 at moderate drive with the tone rolled up. Your DC-580 humbuckers are hotter than May's Tri-Sonics, so the pedal drive is set lower (4) than you might expect to avoid mud.
Get this tone on your amp
These settings are for a Fender Acoustasonic 15. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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