Bohemian Rhapsody amp settings — Fender Deluxe Reverb
The Queen guitar tone for “Bohemian Rhapsody”, dialed in for a Fender Deluxe Reverb with a Fender American Professional II Stratocaster. Studio version, A Night at the Opera (1975) — guitar solo & heavy rock section
Brian May Red Special (Burns Tri-Sonic pickups in series/phase) -> Dallas Rangemaster Treble Booster -> Vox AC30 (Normal channel cranked)
| Knob | Setting (0–10) |
|---|---|
| Gain | 2 |
| Bass | 4 |
| Treble | 5 |
| Reverb | 2 |
| Master | 4 |
01Dallas Rangemaster Style Treble Booster (or Fryer / Naga Viper)
RECOMMENDED — not currently owned
A Fender Deluxe Reverb is inherently scooped with huge clean headroom and lacks the mid-focused EL84 compression of Brian May's cranked Vox AC30, making a dedicated Treble Booster essential to achieve his signature singing saturation without fizzy distortion. Because this dirt pedal is recommended to drive the front end, the Deluxe Reverb stays on its clean input with low gain (Volume 2) to avoid flubby low end. Fender Deluxe Reverb faceplates lack physical Mid and Presence controls, so those parameters are omitted.
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These settings are for a Fender Deluxe Reverb. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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