Paranoid amp settings — Fender Deluxe Reverb
The Black Sabbath guitar tone for “Paranoid”, dialed in for a Fender Deluxe Reverb with a Fender Player Stratocaster. Studio version, Paranoid album (1970), Regent Sound Studios
Gibson SG Standard → Dallas Rangemaster treble booster → Laney LA100BL (or Marshall Plexi substitute) into 4x12 cabs, bridge pickup, standard tuning
| Knob | Setting (0–10) |
|---|---|
| Gain | 3 |
| Bass | 2 |
| Mid | 7 |
| Treble | 6 |
| Presence | 0 |
| Reverb | 0 |
| Master | 6 |
01Treble Booster / Rangemaster Clone (e.g., EHX Screaming Bird, TC Spark Mini, or any clean boost)
RECOMMENDED — not currently owned. This is essential to the Paranoid tone. The Rangemaster pushed the amp into breakup while cutting bass. A Tube Screamer with Drive at 0 and Level at 8 is a budget workaround.
Iommi ran his amp with zero bass, all treble/mid/presence maxed—but your Deluxe Reverb is already naturally scooped and bright. I've raised mids to 7 to compensate for the Fender's mid-scoop, dropped treble to 6 to avoid ice-pick, and kept bass low at 2 to match his zero-bass approach. Your Strat's single coils are brighter and lower-output than his SG humbuckers, so gain stays conservative—the recommended boost pedal is doing the heavy lifting Iommi got from his Rangemaster.
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These settings are for a Fender Deluxe Reverb. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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