Comfortably numb amp settings — Harley Benton HB-10G
The Pink Floyd guitar tone for “Comfortably numb”, dialed in for a Harley Benton HB-10G with a Harley Benton HB-35. Studio version outro solo, The Wall (1979)
Fender Stratocaster ('Black Strat' with DiMarzio FS-1 bridge pickup) -> MXR Dyna Comp -> EHX 'Ram's Head' Big Muff Pi -> Hiwatt DR103 100W Head & Yamaha RA-200 rotary cabinet
| Knob | Setting (0–10) |
|---|---|
| Gain | 2 |
| Bass | 5 |
| Mid | 6 |
| Treble | 5 |
| Master | 6 |
01TC Electronic Dark Matter
Gain source — provides the saturated, singing sustain into the clean amp channel with the voice switch flipped down for low-end body
02TC Electronic Plethora X1 (Chorus/Flanger Block)
Set to TC Corona Chorus or SCF Flanger mode to emulate the Yamaha RA-200 rotary cabinet swirl
03TC Electronic Plethora X1 (Delay Block)
Set to TC Flashback digital delay at approximately 370ms to create the solo's spatial depth
04TC Electronic Skysurfer
Set switch to Spring or Plate mode for ambient wash
The HB-10G runs on its clean channel with gain low to avoid muddy double-gain, letting the Dark Matter handle the heavy distortion. Because the semi-hollow HB-35 humbuckers are warmer and hotter than Gilmour's single-coil Strat, roll the guitar tone knob back slightly to 8 to round off harsh top-end while bumping pedal bass to simulate the massive low-end thump of a Ram's Head Big Muff. The Plethora X1 handles both the rotary modulation and the essential tape/digital delay repeat.
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These settings are for a Harley Benton HB-10G. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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