Tone library / Pink floyd / Comfortably numb

Comfortably numb amp settings — Fender Champion 20

The Pink floyd guitar tone for “Comfortably numb”, dialed in for a Fender Champion 20 with a Epiphone Les Paul Standard 60s. Studio version outro solo, The Wall (1979)

Original rig

Fender Black Strat (DiMarzio FS-1 bridge pickup) -> MXR Dyna Comp -> 1973 EHX 'Ram's Head' Big Muff Pi -> Hiwatt DR103 100W Head into WEM 4x12 / Yamaha RA-200 rotary speaker

Singing, violin-like high-sustain fuzz distortion with smooth top end and ambient room delay/reverb
Amp settings — Fender Champion 20
CHANNELVoice: '80s Metal (Red) / British High-Gain
GAIN 7 BASS 5 TREBLE 6 REVERB 5 MASTER 4
KnobSetting (0–10)
Gain7
Bass5
Treble6
Reverb5
Master4
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Guitar
PICKUPbridge TONE8 VOLUME10
Signal chain

01EHX Ram's Head Big Muff Pi

RECOMMENDED — not currently owned; critical for the authentic singing fuzz sustain

Volume 5 · Tone 4 · Sustain 8

02Digital / Tape Delay

RECOMMENDED — not currently owned; set around 440-480ms for Gilmour's signature solo space

Time 5 · Feedback 4 · Level 4
Why these settings

The Champion 20 lacks a mid control and presence knob entirely, so selecting the saturated '80s Metal voice is required to simulate the high-gain violin sustain of Gilmour's Ram's Head Big Muff without pedals. Because your Les Paul humbuckers have a thicker low-mid push and darker response than Gilmour's single-coil Strat, keep the bass at 5 and treble slightly elevated to maintain clarity, rolling the guitar tone to 8 to smooth out high-end rasp. Adding an external Ram's Head Big Muff into the clean Fender '65 Blackface voice is the ideal path to nail this exact tone.

PRO TIPPick with the flat edge of a heavy nylon pick and use wide, slow finger vibrato after hitting full-step and step-and-a-half bends to let the notes bloom into sustain.

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These settings are for a Fender Champion 20. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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