Cemetery Gates amp settings — Marshall G100rcd
The Pantera guitar tone for “Cemetery Gates”, dialed in for a Marshall G100rcd with a Schecter Avenger Blackjack sls fr-s. Studio cut, Cowboys from Hell (1990) — main distorted rhythm and lead riff
Dean From Hell (Bill Lawrence L-500-L) -> Furman PQ-3 / MXR 6-Band EQ -> Randall RG-100ES solid-state head -> Randall 4x12 cab (Celestion G12H-100)
| Knob | Setting (0–10) |
|---|---|
| Gain | 8 |
| Bass | 8 |
| Mid | 3 |
| Treble | 9 |
| Reverb | 0 |
| Master | 5 |
01Boss DS-1 Distortion
BOOST — run in front of the amp with low distortion to tighten the low end and slam the front end, mimicking Dimebag's outboard pre-EQ boost
02Boss CS-3 Compression Sustainer
Keeps pick attack razor-sharp and adds sustain for pinch harmonics
03Boss CE-5 Chorus
Bypassed for heavy rhythm sections (engage with moderate depth/rate for the clean intro arpeggios)
04Boss DD-8 Digital Delay
Bypassed for rhythm tracks (engage for solo section)
The solid-state Marshall G100RCD shares the immediate, stiff attack of Dimebag's Randall RG-100ES, but inherently carries more Marshall lower-mid bark. We pull the mid control down to 3 and push treble to 9 to mimic the Furman PQ-3 scoop, while using the owned DS-1 as a tight pre-gain boost (Level high, Dist low) rather than the primary dirt source. Clean intro: switch to Clean channel, bypass the DS-1, and engage the CE-5 chorus.
Get this tone on your amp
These settings are for a Marshall G100rcd. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
Get ToneAdapt on Google PlaySong, artist and gear names are used to identify the tone being matched; ToneAdapt is not affiliated with or endorsed by the artists or manufacturers mentioned. Settings are AI-generated starting points — trust your ears.