Supermassive Black Hole (Live At Rome Olympic Stadium) amp settings — Vox AC15C1
The Muse guitar tone for “Supermassive Black Hole (Live At Rome Olympic Stadium)”, dialed in for a Vox AC15C1 with a Squier Affinity Telecaster. Live at Rome Olympic Stadium (2013), The 2nd Law Tour
Manson Custom guitar (with internal Z.Vex Fuzz Factory and Kaoss Pad controller) into Kemper Profiling Amps / Marshall JCM2000 and Diezel VH4 profiles, with Digitech Whammy
| Knob | Setting (0–10) |
|---|---|
| Gain | 2 |
| Bass | 5 |
| Reverb | 0 |
| Master | 5 |
01Digitech Whammy V
Bypassed during main riff; engage set to +1 Octave Up for the intro solo/interlude licks
The AC15C1 Normal channel lacks dedicated Bass/Treble/Mid controls and runs through Master Volume and Tone Cut; set Tone Cut to 3 to tame the Telecaster's high-end bite while retaining Matt Bellamy's upper-harmonic sizzle. Because the Big Muff is your sole distortion source, keep the AC15 Normal Volume low at 2 to preserve clean headroom and prevent the chimey EL84 power section from turning the fuzz muddy. The original tone relies on a gated Z.Vex Fuzz Factory; pushing Muff Sustain to 8 while muting firmly with your palm approximates that tight synth-like attack.
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These settings are for a Vox AC15C1. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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