Come As You Are amp settings — Vox AC15C1
The Nirvana guitar tone for “Come As You Are”, dialed in for a Vox AC15C1 with a Gibson Les Paul Studio. Studio version, Nevermind (1991), Sound City Studios with Butch Vig
Mesa/Boogie Studio Preamp → Crown Power Base-2 → Marshall 4x12, 1965 Fender Jaguar with DiMarzio pickups, EH Small Clone chorus (Deep, Rate ~10 o'clock), Boss DS-1 for solo only
| Knob | Setting (0–10) |
|---|---|
| Gain | 3 |
| Bass | 6 |
| Mid | 5 |
| Treble | 4 |
| Reverb | 0 |
| Master | 4 |
01Electro-Harmonix Small Clone
RECOMMENDED — not currently owned. This pedal IS the tone. Depth switch must be set to 'Deep' (up position). Without it, you cannot authentically recreate this sound. A Boss CE-2 or TC Electronic Corona set to 'vintage' mode are acceptable substitutes.
Your AC15 is actually period-correct — Butch Vig used a Vox AC30 on Nevermind for its amp breakup character. However, your Les Paul's humbuckers are hotter and darker than Cobain's Jaguar single coils, so I dropped treble from the original 6 to 4 and raised bass from 4 to 6 to compensate and avoid mud. The AC15 breaks up early, which works here — keep gain low for that clean-with-grit edge. The critical problem: without a chorus pedal, you have 50% of this tone at best.
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These settings are for a Vox AC15C1. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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