So Far Away amp settings — Vox AC15C1
The Avenged Sevenfold guitar tone for “So Far Away”, dialed in for a Vox AC15C1 with a Ibanez GIO GRG170DX. Studio version, Nightmare (2010) — solo and lead sections
Bogner Uberschall 120W head, Schecter Synyster Gates Custom-S with Seymour Duncan Invader humbuckers, MXR MC401 Boost, Visual Sound H2O delay
| Knob | Setting (0–10) |
|---|---|
| Gain | 10 |
| Bass | 4 |
| Mid | 7 |
| Treble | 5 |
| Reverb | 2 |
| Master | 6 |
01Tube Screamer style overdrive (TS9 or clone)
RECOMMENDED — not currently owned. Essential for pushing the AC15 into usable high-gain territory and adding mid-focus. Without this pedal, the tone will be thin and lack sustain.
02Digital Delay (Boss DD-3 or similar)
RECOMMENDED — not currently owned. Set to approximately 350-400ms for the solo's trailing repeats. Run into amp input since AC15 has no FX loop.
The AC15 is a Class A amp with chimey cleans — the opposite of the Uberschall's saturated high-gain voicing. The AC15 maxed out delivers only edge-of-breakup crunch, nowhere near the original's liquid sustain. Cranking gain to 10, cutting bass from original's 6 to 4 (AC15 gets flubby), and boosting mid to 7 compensates for the Vox's natural treble peak. Rolling tone knob to 7 on your GRG170DX tames the ceramic humbucker's harshness. A TS-style pedal is non-negotiable here — it provides the mid-hump and compression the AC15 cannot produce alone.
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These settings are for a Vox AC15C1. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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