The rover amp settings — Marshall DSL40CR

The Led zeppelin guitar tone for “The rover”, dialed in for a Marshall DSL40CR with a Gibson Les Paul Standard 50s. Studio version, Physical Graffiti (1975)

Original rig

1959 Gibson Les Paul Standard ('Number One') + Marshall 1959 Super Lead 100W Plexi + MXR Phase 90 / Eventide Instant Phaser/Flanger studio processing

Rich, biting British crunch with a slow, syrupy phase sweep and aggressive upper-mid cut

Amp settings — Marshall DSL40CR

CHANNELClassic Gain (Crunch mode)BOOSToff

Knob	Setting (0–10)
Gain	7
Bass	5
Mid	7
Treble	7
Presence	6
Reverb	2
Master	5

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Guitar

PICKUPbridge TONE10 VOLUME10

Signal chain

01MXR Phase 90

Placed in front of the amp to replicate Jimmy Page's iconic slow, textured swirl

Speed 3

02Boss BD-2 Blues Driver

Used as a dirty boost to push the Marshall front end like Page's Univox Uni-Drive

Level 7 · Tone 5 · Gain 2

Why these settings

The DSL40CR Classic Gain channel in Crunch mode captures the touch-responsive headroom of Page's cranked 1959 Plexi. Using your BD-2 as a low-gain boost punches the preamp without muddying the tone, while pushing DSL mids and treble to 7 replicates the re-EQed high-end bite Keith Harwood added to the master track. Keep the DSL resonance control around 4 to tighten the low-end thump under heavy riffing.

PRO TIPDig in hard with a medium-heavy pick near the bridge saddles on the open-string drone riffs to get that percussive, metallic attack before letting the Phase 90 bloom across sustained chords.

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These settings are for a Marshall DSL40CR. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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