Way Down We Go amp settings — Frontman 10g
The KALEO guitar tone for “Way Down We Go”, dialed in for a Frontman 10g with a Aria Pro2. Studio version, A/B (2016 album)
Gibson ES-330 (P90 pickups) → Vemuram Shanks ODS-1 / Sounds of Shelby drive → Orange AD30 head + 1x12 cab, subtle delay/reverb via Strymon El Capistan & Flint
| Knob | Setting (0–10) |
|---|---|
| Gain | 10 |
| Bass | 4 |
| Mid | 7 |
| Treble | 6 |
| Presence | 0 |
| Reverb | 0 |
| Master | 7 |
01Overdrive Pedal (RECOMMENDED — Boss SD-1 or Behringer TO800)
RECOMMENDED — not currently owned. Essential for this tone; the Frontman's solid-state gain cannot replicate tube breakup. A $25 Behringer TO800 or Boss SD-1 gets you 80% there. Run into amp input.
The Frontman 10G is a small solid-state practice amp with no tube saturation — cranking gain to 10 adds grit but stays fizzy and thin compared to the original's warm Orange AD30 breakup. I pushed mids to 7 (vs typical 5-6) to compensate for the Frontman's naturally scooped, sterile voicing and get closer to the mid-forward Orange bark. Without an overdrive pedal, this tone is fundamentally unobtainable; the amp simply cannot produce the thick, dynamic breakup that defines this track.
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These settings are for a Frontman 10g. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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