Still Got the Blues amp settings — Fender Champion 20
The Gary Moore guitar tone for “Still Got the Blues”, dialed in for a Fender Champion 20 with a Squier Contemporary Stratocaster. Studio album cut, Still Got the Blues (1990) — signature lead tone
1959 Gibson Les Paul Standard ('Stripe') + Marshall JTM45 Reissue prototype + Marshall The Guv'nor overdrive + Roland SDD-320 Dimension D
| Knob | Setting (0–10) |
|---|---|
| Gain | 2 |
| Bass | 6 |
| Treble | 4 |
| Reverb | 0 |
| Master | 5 |
01Valeton GP-100: Preamp/Drive Block (The Guv'nor / Marshall Drive)
Main gain source providing Gary's thick Marshall-style saturation and sustain
02Valeton GP-100: Chorus/Modulation Block (Dimension / Stereo Chorus)
Emulates the Roland Dimension D spatial thickening heard on the studio recording
03Valeton GP-100: Reverb Block (Hall Reverb)
Smooth studio hall ambiance
The Champion 20 lacks a dedicated mid knob, so set the amp on a neutral clean voice with treble rolled back to compensate for the naturally scooped, bright Fender tone stack. The Valeton GP-100 acts as the entire gain and spatial engine, delivering The Guv'nor distortion curve and Dimension D chorus into the clean amp. Switching your Strat to the neck pickup with the tone rolled off to 7 rounds off single-coil/hot-rail snap to mimic Gary's legendary '59 Les Paul sustain.
Get this tone on your amp
These settings are for a Fender Champion 20. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
Get ToneAdapt on Google PlaySong, artist and gear names are used to identify the tone being matched; ToneAdapt is not affiliated with or endorsed by the artists or manufacturers mentioned. Settings are AI-generated starting points — trust your ears.