Everlong amp settings — Yamaha GA-15
The Foo fighters guitar tone for “Everlong”, dialed in for a Yamaha GA-15 with a Fender Player Stratocaster. Studio version, The Colour and the Shape (1997)
Gibson Trini Lopez (PAF humbuckers, bridge position) → Mesa/Boogie Dual Rectifier Solo Head → Mesa 4x12 w/ V30s. Drop D tuning. SM57 + U87 to tape.
| Knob | Setting (0–10) |
|---|---|
| Gain | 8 |
| Bass | 4 |
| Mid | 7 |
| Treble | 5 |
| Presence | 0 |
| Reverb | 0 |
| Master | 6 |
01Tube Screamer (TS9 or clone)
RECOMMENDED — not currently owned. Essential for this tone. The GA-15's solid-state preamp won't compress and saturate like a Recto. A TS pushes the front end, adds mid-hump, and tightens the low end—exactly what this tone needs. Cheapest option: Behringer TO800 (~$25).
The Yamaha GA-15 is a small solid-state practice amp with no channel switching and limited headroom—it cannot replicate Recto saturation on its own. Gain is maxed at 8 to push the preamp as hard as possible. Bass is cut to 4 (vs original 6) because the GA-15 gets flubby in the low end at high gain, and your Strat's single coils lack the low-mid thump of Grohl's PAF humbuckers. Mid is raised to 7 to compensate for the Strat's scooped voicing and get closer to the humbucker bark. Treble is dropped to 5 because Strat bridge pickups are ice-picky where a 335 is warm. Without the recommended TS pedal, you'll get a fizzy approximation—not the real thing.
Get this tone on your amp
These settings are for a Yamaha GA-15. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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