Everlong amp settings — Fender Champion II 25
The Foo Fighters guitar tone for “Everlong”, dialed in for a Fender Champion II 25 with a Jackson JS22 Dinky. Studio version, The Colour and the Shape (1997)
Mesa/Boogie Dual Rectifier (Modern channel), Gibson Explorer/ES-335 with humbuckers, Pro Co RAT distortion pedal
| Knob | Setting (0–10) |
|---|---|
| Gain | 3 |
| Bass | 4 |
| Mid | 7 |
| Treble | 6 |
| Reverb | 0 |
| Master | 6 |
01Pro Co RAT 2 or clone (e.g. Behringer Super Fuzz, Donner Dark Mouse)
RECOMMENDED — not currently owned. This pedal is essential for the Everlong tone; the Champion 25 cannot produce this saturation level from its preamp alone.
The original uses a Mesa Dual Rectifier's high-gain Modern channel at gain 7 with a RAT stacked in front. Your Champion 25 is a solid-state practice amp with no high-gain channel — it maxes out at light breakup. Keep the amp clean (gain 3) and push mid +1 vs the Mesa's setting to compensate for Fender's naturally scooped voicing. A RAT-style pedal is mandatory here; without it you'll get clean tone, not Everlong. The Jackson's humbuckers match the original's output well.
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These settings are for a Fender Champion II 25. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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