Tone library / Foo Fighters / Everlong

Everlong amp settings — Fender Champion II 25

The Foo Fighters guitar tone for “Everlong”, dialed in for a Fender Champion II 25 with a Jackson JS22 Dinky. Studio version, The Colour and the Shape (1997)

Original rig

Mesa/Boogie Dual Rectifier (Modern channel), Gibson Explorer/ES-335 with humbuckers, Pro Co RAT distortion pedal

Aggressive mid-heavy crunch with tight low-end, saturated but articulate rhythm tone
Amp settings — Fender Champion II 25
CHANNELClean (Voicing switch set to blackface/normal position if available)BOOSToff
GAIN 3 BASS 4 MID 7 TREBLE 6 REVERB 0 MASTER 6
KnobSetting (0–10)
Gain3
Bass4
Mid7
Treble6
Reverb0
Master6
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Guitar
PICKUPbridge TONE8 VOLUME10
Signal chain

01Pro Co RAT 2 or clone (e.g. Behringer Super Fuzz, Donner Dark Mouse)

RECOMMENDED — not currently owned. This pedal is essential for the Everlong tone; the Champion 25 cannot produce this saturation level from its preamp alone.

Distortion 7 · Filter 5 · Volume 7
Why these settings

The original uses a Mesa Dual Rectifier's high-gain Modern channel at gain 7 with a RAT stacked in front. Your Champion 25 is a solid-state practice amp with no high-gain channel — it maxes out at light breakup. Keep the amp clean (gain 3) and push mid +1 vs the Mesa's setting to compensate for Fender's naturally scooped voicing. A RAT-style pedal is mandatory here; without it you'll get clean tone, not Everlong. The Jackson's humbuckers match the original's output well.

PRO TIPDrop to D tuning and palm-mute hard right at the bridge saddles — the percussive low-D chug defines this riff more than any EQ setting. Roll tone knob to 8 to tame the JS22's ceramic bridge pickup bite.

Get this tone on your amp

These settings are for a Fender Champion II 25. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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