Why d call me when you re high amp settings — Harley Benton HB-10G
The Arctic monkeys guitar tone for “Why d call me when you re high”, dialed in for a Harley Benton HB-10G with a Harley benton Stratocaster. Studio version, AM (2013)
Gibson ES-335 through Vox AC30, TS-style overdrive, chorus, tape delay, plate reverb
| Knob | Setting (0–10) |
|---|---|
| Gain | 4 |
| Bass | 3 |
| Mid | 6 |
| Treble | 5 |
| Presence | 0 |
| Reverb | 4 |
| Master | 5 |
01Donner Distortion/Fuzz
Use as a light boost only — this tone is NOT heavily distorted. Set gain very low to add grit without mud. If your pedal is fuzz-voiced, consider bypassing it entirely and using amp gain alone.
The HB-10G is a basic solid-state practice amp with limited headroom and a brighter, thinner voicing than the original Vox AC30's warm Class-A chime. I've pushed mids to 6 (vs typical AC30 at 5) to compensate for the amp's naturally scooped character, and rolled treble back to 5 to avoid ice-pick harshness. Your Strat's single coils are brighter and lower output than Turner's ES-335 humbuckers — the neck pickup with tone rolled to 6 and volume at 8 warms it up and reduces the output gap.
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These settings are for a Harley Benton HB-10G. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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