Bleed Me an Ocean amp settings — Blackstar Silverline Deluxe
The Acid Bath guitar tone for “Bleed Me an Ocean”, dialed in for a Blackstar Silverline Deluxe with a Fender Player Stratocaster. Studio version, Paegan Terrorism Tactics (1996)
Gibson Flying V / Les Paul with Seymour Duncan humbuckers, Boss HM-2 Heavy Metal, Marshall JCM800 / Ampeg solid-state heads
| Knob | Setting (0–10) |
|---|---|
| Gain | 2 |
| Bass | 7 |
| Mid | 6 |
| Treble | 4 |
| Reverb | 0 |
| Master | 6 |
01Boss HM-2W Heavy Metal
Standard mode (run direct into amp input)
Per double-gain prevention, the Silverline is placed on its Clean Warm voice with the preamp gain pulled down to 2 so the HM-2W handles the iconic sludge saturation without turning into muddy mush. To compensate for the Stratocaster's brighter, thinner single-coil bridge pickup compared to Sammy Duet's tuned-down humbuckers, amp treble is pulled down to 4 and bass is raised to 7 while the ISF is set full British. The HM-2W's High and Low Color Mix controls are pulled back slightly from the Swedish-death-metal 'all on 10' setting to match Acid Bath's sludgy, grinding midrange clarity.
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These settings are for a Blackstar Silverline Deluxe. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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