Tone library / Three Days Grace / Running Away

Running Away amp settings — Marshall Code 50

The Three Days Grace guitar tone for “Running Away”, dialed in for a Marshall Code 50 with a Gibson Les Paul Modern. Studio version, One-X (2006 bonus track)

Original rig

Diezel VH4 & Marshall JCM800 + Ibanez SZ / PRS guitars (Adam Gontier & Barry Stock)

Thick, compressed post-grunge / alternative metal high-gain crunch with punchy lower mids
Amp settings — Marshall Code 50
CHANNELOD American (Mesa/modern high-gain preamp) + 1960V 4x12 Cab IRBRIGHToffBOOSToff
GAIN 7 BASS 7 MID 6 TREBLE 6 PRESENCE 6 REVERB 1 MASTER 5
KnobSetting (0–10)
Gain7
Bass7
Mid6
Treble6
Presence6
Reverb1
Master5
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Guitar
PICKUPbridge TONE10 VOLUME10
Signal chain

01Boss DS-1 Distortion

Used as a tight front-end drive boost to tighten low-end tracking into the high-gain preamp

Tone 4 · Level 8 · Dist 2
Why these settings

The Code 50 is a digital modeling amp, so we select the 'OD American' preamp block to emulate the cascading saturation and punch of Howard Benson's Diezel/Mesa/Marshall wall of sound. The DS-1 is set as a clean/tightening boost with low distortion and high level, sharpening the attack on your Les Paul Modern's bridge humbucker. Clean verse: roll guitar volume down to 6 and bypass the DS-1.

PRO TIPDrop-tune your low E string to Drop D (or Drop C depending on exact tuning) and strike chords with aggressive, heavy downstrokes right near the bridge for maximum percussive chunk.

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These settings are for a Marshall Code 50. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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