Walk amp settings — Marshall Code 50
The Pantera guitar tone for “Walk”, dialed in for a Marshall Code 50 with a Epiphone Epiphone Les Paul Tribute Ebony. Studio version, Vulgar Display of Power (1992), Drop D tuning
Dean ML 'Dean From Hell' with Bill Lawrence L-500XL bridge pickup → MXR 6-Band EQ (V-curve scoop) → Furman PQ-4 Parametric EQ → Rocktron Guitar Silencer noise gate → Randall RG100ES solid-state head → Randall 4x12 with Celestion G12T-75 speakers
| Knob | Setting (0–10) |
|---|---|
| Gain | 8 |
| Bass | 7 |
| Mid | 3 |
| Treble | 7 |
| Presence | 6 |
| Reverb | 0 |
| Master | 5 |
01Marshall Code Onboard Graphic EQ (use the built-in Studio EQ preset)
Critical for the V-curve scoop — place pre-amp in signal chain via Code's effects section
02Marshall Code Onboard Noise Gate
Essential for the tight, chunky palm mutes — Dimebag used a Rocktron Guitar Silencer
Your Les Paul's humbuckers are hotter and warmer than Dimebag's L-500XL, so gain drops from his 9 to 8 and mids stay lower at 3 to maintain the scoop. The Marshall Code's JVM OD2 model is mid-forward by nature, so the onboard graphic EQ is mandatory to carve the 800Hz-1.6kHz valley that defines this tone. The Randall's solid-state tightness is impossible to fully replicate with the Code's modeled tube response, but the noise gate compensates by tightening the attack.
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These settings are for a Marshall Code 50. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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