Tone library / Metallica / Blackened

Blackened amp settings — Marshall Code 50

The Metallica guitar tone for “Blackened”, dialed in for a Marshall Code 50 with a Jackson JS22 Dinky. Studio version, ...And Justice for All (1988)

Original rig

Mesa Boogie Mark IIC+ head, ESP Explorer with EMG 81, Aphex Aural Exciter + Aphex Compellor in FX loop, Strategy 400 power amp, Marshall 1960A cabs with Celestion G12T-75 speakers

Aggressive, scooped thrash metal with tight low end, razor-sharp high mids, and massive palm-mute chunk
Amp settings — Marshall Code 50
CHANNELJVM OD2 (or closest high-gain Marshall model in the Code)BRIGHToffBOOSTon
GAIN 8 BASS 6 MID 3 TREBLE 7 PRESENCE 6 REVERB 0 MASTER 7
KnobSetting (0–10)
Gain8
Bass6
Mid3
Treble7
Presence6
Reverb0
Master7
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Guitar
PICKUPbridge TONE10 VOLUME10
Signal chain

01Noise Gate (Code onboard)

Essential for tight palm mutes and eliminating hum between riffs

Threshold 5 · Decay 3
Why these settings

The Mark IIC+ is mid-scooped with a tight low end and searing highs—your Marshall Code's JVM model is naturally mid-forward, so I dropped mids to 3 to approximate the Aphex-processed scoop. The Jackson's passive humbuckers are lower output than Hetfield's EMG 81s, so gain goes to 8 instead of the 6-7 a real IIC+ would need. Presence at 6 adds the high-frequency bite without fizz.

PRO TIPHetfield's right hand sits almost directly over the bridge pickup for maximum palm-mute tightness—anchor your palm firmly on the bridge saddles and pick with aggressive downstrokes to nail that machine-gun chug.

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