Tone library / The smashing pumpkins / Today

Today amp settings — Peavey Bandit 65

The The smashing pumpkins guitar tone for “Today”, dialed in for a Peavey Bandit 65 with a Gibson Les Paul Modern. Studio recording, Siamese Dream (1993) - Heavy rhythm wall of sound

Original rig

1957 Fender Stratocaster (Lace Sensor pickups) -> Electro-Harmonix Op-Amp Big Muff Pi -> 100W Marshall JCM800 (KT88 tubes) set clean/edge of breakup

Thick, compressed, saturated op-amp fuzz with scooped mids and aggressive bite
Amp settings — Peavey Bandit 65
CHANNELNormal (Clean)BRIGHToff
GAIN 2 BASS 7 MID 3 TREBLE 6 PRESENCE 5 REVERB 0 MASTER 5
KnobSetting (0–10)
Gain2
Bass7
Mid3
Treble6
Presence5
Reverb0
Master5
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Guitar
PICKUPbridge TONE9 VOLUME10
Signal chain

01Ibanez Tube Screamer TS9

Clean mid boost to push the DS-1 into thick, wall-like saturation

Drive 1 · Tone 4 · Level 8

02Boss DS-1 Distortion

Main gain source; replicates the aggressive, fizzy clipping of the Op-Amp Big Muff into a clean amp platform

Tone 4 · Level 6 · Dist 9

03Electro-Harmonix Op-Amp Big Muff Pi

RECOMMENDED — not currently owned

Volume 6 · Tone 5 · Sustain 9
Why these settings

The Bandit 65 acts as the clean Marshall power-stage foundation with amp gain kept low to prevent double-gain flub. Because the original tone relies on an Op-Amp Big Muff, we stack your TS9 with low drive and high output into the DS-1 dimed to simulate that massive fuzz wall. On the amp, mids are pulled back to 3 to mimic the classic Big Muff scoop while compensating for your Les Paul's warm humbuckers. Clean intro: bypass both pedals and switch to the neck pickup.

PRO TIPBilly Corgan tracked dozens of layered guitars with low-action strings hit aggressively hard with heavy 1.0mm+ picks—strum through all six strings with full force to get that flat-topped, brick-wall compression feel.

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These settings are for a Peavey Bandit 65. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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