Tone library / The clash / I shoul stay i shoul i go

I shoul stay i shoul i go amp settings — Multiefectos M-wawe black box

The The clash guitar tone for “I shoul stay i shoul i go”, dialed in for a Multiefectos M-wawe black box with a Fender Player Stratocaster. Studio version, Combat Rock (1982)

Original rig

Gibson Les Paul (bridge humbucker) → Fender Twin Reverb cranked for natural overdrive, no pedals

Crunchy, bright, punchy punk rhythm with aggressive attack and minimal sustain
Amp settings — Multiefectos M-wawe black box
CHANNELFender Twin Reverb model (or closest clean American amp model)BRIGHTonBOOSToff
GAIN 5 BASS 5 MID 6 TREBLE 6 PRESENCE 6 REVERB 0 MASTER 7
KnobSetting (0–10)
Gain5
Bass5
Mid6
Treble6
Presence6
Reverb0
Master7
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Guitar
PICKUPbridge TONE8 VOLUME10
Signal chain

01Tube Screamer style overdrive (RECOMMENDED — not currently owned)

RECOMMENDED — Your multi-FX likely has an overdrive/distortion block; use a low-gain OD or 'Tube Screamer' model to push the clean amp into crunch. Without this, the tone will lack the gritty edge.

Drive 3 · Tone 6 · Level 7
Why these settings

Original used a Les Paul humbucker (warm, mid-heavy) into a cranked Twin. Your Strat's single-coil bridge is brighter and lower output, so I raised mid +1 and cut treble -1 vs typical Twin settings. The overdrive pedal/block is essential — the original tone came from amp breakup, which your multi-FX won't achieve at bedroom volume without a drive stage in front.

PRO TIPUse aggressive, consistent downstrokes on the rhythm parts — Mick Jones' attack was relentless and percussive. Palm-mute lightly on the low strings during the verse riff to keep it tight and punchy, then open up on the chorus for contrast.

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These settings are for a Multiefectos M-wawe black box. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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