Aerials amp settings — Fender Champion 100
The System Of A Down guitar tone for “Aerials”, dialed in for a Fender Champion 100 with a Jackson JS22 Dinky. Studio version, Toxicity (2001) — heavy main riff and chorus tone
1962 Gibson SG / Les Paul into blended Mesa/Boogie Triple Rectifier (Modern High Gain) and Marshall JMP 2203, tuned to Drop C
| Knob | Setting (0–10) |
|---|---|
| Gain | 7 |
| Bass | 6 |
| Mid | 5 |
| Treble | 7 |
| Reverb | 2 |
| Master | 5 |
01Jim Dunlop Cry Baby GCB95
Leave bypassed for the rhythm and chorus riffs
02Buehring Ultra Metal
Used as a tight boost into Channel 2's Metal voice — keeps the Drop C low-end articulate
The Fender Champion 100 features a 3-band EQ on Channel 2 (presence is not present on this faceplate and is set to null). Set the Voice selector to the high-gain Metal voice to replicate Daron Malakian's blended Mesa Rectifier and Marshall JMP crunch. The Buehring Ultra Metal acts as a tightening front-end boost with drive kept low and level pushed to prevent the Drop C tuning from muddying the 2x12 speakers. For the clean intro, switch to Channel 1 with a touch of onboard hall reverb.
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These settings are for a Fender Champion 100. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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