Pride and Joy amp settings — Blackstar HT5R MkII
The Stevie Ray Vaughan guitar tone for “Pride and Joy”, dialed in for a Blackstar HT5R MkII with a Fender Player Stratocaster. Live performance tone — SRV's solo sound was consistent from 1983 Texas Flood era through his career; the TS9-boosted Vibroverb/Dumble setup was his signature live rig
1963 Fender Stratocaster 'Number One' (1959 pickups) → Ibanez TS9 Tube Screamer (boost) → 1964 Fender Vibroverb (x2, cranked) + Dumble Dumbleland Special with 4x12 EV speakers
| Knob | Setting (0–10) |
|---|---|
| Gain | 5 |
| Bass | 6 |
| Mid | 7 |
| Treble | 6 |
| Reverb | 3 |
| Master | 7 |
01Ibanez Tube Screamer TS9
This IS the SRV solo secret — low drive, high level pushes the amp's front end harder without adding fizzy clipping. Your TS9 is the exact pedal he used.
02Boss RV-6 Reverb
FX loop. Set to Hall or Spring mode. SRV used minimal reverb live — just enough room ambience. Keep it subtle.
Your HT5R's ISF should sit around 2 o'clock (toward British) to add some EL84 chime that complements the Fender-style mids SRV got from his Vibroverbs. The Blackstar's overdrive channel is gainier than a cranked Vibroverb, so gain 5 (not higher) paired with the TS9 boost gets you into that singing sustain territory without mud. Your Player Strat's pickups are hotter than SRV's '59 units — treble 6 compensates. The HT5R MkII has no presence control, so that's null.
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These settings are for a Blackstar HT5R MkII. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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