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Pride and Joy amp settings — Laney LH50

The Stevie Ray Vaughan & Double Trouble guitar tone for “Pride and Joy”, dialed in for a Laney LH50 with a Fender Player Stratocaster. Studio version, Texas Flood (1983)

Original rig

1959 Fender Stratocaster 'Number One' (.013 strings, E♭ tuning) → Ibanez TS808 Tube Screamer (clean boost) → Fender Vibroverb 1964 Blackface cranked

Clean with woody mid-push and dynamic edge-of-breakup response
Amp settings — Laney LH50
CHANNELCleanBRIGHToff
GAIN 4 BASS 5 MID 8 TREBLE 5 PRESENCE 6 REVERB 1 MASTER 7
KnobSetting (0–10)
Gain4
Bass5
Mid8
Treble5
Presence6
Reverb1
Master7
Don’t have a Laney LH50? See this song on other amps → Match your own rig →
Guitar
PICKUPneck TONE10 VOLUME10
Signal chain

01Ibanez Tube Screamer (TS9 or TS808)

RECOMMENDED — not currently owned. This is essential to the SRV tone. Set Drive LOW (clean boost mode), Level HIGH to push the amp's front end. Without this, the tone will lack the characteristic mid-forward bark and dynamic breakup.

Drive 1 · Tone 6 · Level 8
Why these settings

Your Laney LH50 is a British-voiced EL34 amp with more natural mid-presence than the scooped Fender Vibroverb, so I dropped treble from 6 to 5 and pushed mids to 8 to capture that woody Texas thickness. The Laney's gain structure is tighter than a blackface Fender, so gain stays at 4 to preserve dynamics. Without a Tube Screamer, you will get a usable clean tone but lose the signature mid-push and amp-edge compression that defines this recording.

PRO TIPSRV's secret weapon was his brutal .013-.058 string gauge and half-step-down tuning — the string tension and mass gave his tone that weighty, piano-like sustain. If you can handle .011s or heavier and tune to E♭, you'll get significantly closer to that authoritative thump on the low strings.

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These settings are for a Laney LH50. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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