Enter Sandman amp settings — Laney LH50
The Metallica guitar tone for “Enter Sandman”, dialed in for a Laney LH50 with a Jackson JS22 Dinky. Studio version, Metallica (The Black Album), 1991
ESP MX-220/MX-250 (EMG 81 bridge) → Mesa/Boogie Mark IIC+/Mark IV → Marshall 4x12 (layered for mids)
| Knob | Setting (0–10) |
|---|---|
| Gain | 7 |
| Bass | 5 |
| Mid | 3 |
| Treble | 7 |
| Presence | 5 |
| Reverb | 0 |
| Master | 5 |
01Tube Screamer (TS9 or clone)
RECOMMENDED — not currently owned. Used as a clean boost to tighten low end and add pick definition. Drive at 0, Level pushing the amp front end.
The Laney LH50 is a British-voiced EL34 amp with more natural midrange presence than the original Mesa Mark series, which is inherently scooped. Mids dropped to 3 to replicate the Mesa scoop, but the Laney won't go as hollow — this is a feature, not a bug, as it keeps the riff defined in a live mix. Gain at 7 instead of the Mesa's 8 because the LH50's preamp saturates earlier. Your Jackson's passive humbuckers are lower output than Hetfield's active EMGs, so gain stays higher than it would with actives; the tone will be slightly less compressed and more dynamic.
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These settings are for a Laney LH50. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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