Tone library / Soda Stereo / Ella Usó Mi Cabeza Como un Revólver

Ella Usó Mi Cabeza Como un Revólver amp settings — Valeton GP-200

The Soda Stereo guitar tone for “Ella Usó Mi Cabeza Como un Revólver”, dialed in for a Valeton GP-200 with a Yamaha Pacifica 112V. Live, El Último Concierto (Estadio River Plate, 1997)

Original rig

Fender Stratocaster / Pensa-Suhr Custom -> Boss CE-2 Chorus -> Electro-Harmonix Deluxe Memory Man -> Fender Twin Reverb

Lush, atmospheric chorus-drenched clean with warm analog delay space
Amp settings — Valeton GP-200
CHANNELTWIN 65 (Fender '65 Twin Reverb model) + 2x12 Jensen C12K IRBRIGHTonBOOSToff
GAIN 3 BASS 5 MID 6 TREBLE 5 REVERB 4 MASTER 7
KnobSetting (0–10)
Gain3
Bass5
Mid6
Treble5
Reverb4
Master7
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Guitar
PICKUPneck+middle TONE9 VOLUME10
Signal chain

01Chorus (Valeton CH-2 / CE-2 model block)

Essential for Cerati's signature swirling, shimmering texture

Rate 4 · Depth 6

02Analog Delay (Valeton Memory / Echo block)

Set around 380ms for subtle ambient rhythmic repeats

Time 4 · Feedback 3 · Mix 3
Why these settings

The Yamaha Pacifica's neck and middle single-coil position perfectly recreates Cerati's glassy Stratocaster chime. On the Valeton GP-200, the TWIN 65 amp model provides pristine headroom, while pushing the midrange to 6 prevents the clean tone from sounding overly hollow when layered with the heavy chorus. The Boss-style chorus and analog delay blocks inside the GP-200 replicate the core front-end modulation of his live pedalboard. Heavy chorus outro: roll the volume knob down slightly to clean up articulation during arpeggios.

PRO TIPPick with a light, fluid wrist motion using the side of a nylon pick close to the neck pickup to capture the round, liquid attack of Cerati's live intro chords.

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These settings are for a Valeton GP-200. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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