Tone library / Som Do Reino, André Aquino & Emi Sousa / Intro - Como Nós Te Amamos (Ao Vivo)

Intro - Como Nós Te Amamos (Ao Vivo) amp settings — Valeton GP-200

The Som Do Reino, André Aquino & Emi Sousa guitar tone for “Intro - Como Nós Te Amamos (Ao Vivo)”, dialed in for a Valeton GP-200 with a Ibanez GIO GRG170DX. Live version, Som do Secreto Vol.3 (Ao Vivo) - contemporary Brazilian worship recording

Original rig

Likely Matchless-style amp voicing (based on Marcelo Cidrack's GP-200 worship presets for Som do Reino context), clean platform with modulation and ambient effects, humbucker or single-coil guitar

Warm, shimmering clean with ambient delay and reverb, soft pad-like swells for worship intro
Amp settings — Valeton GP-200
CHANNELMatchless DC30 model (or closest Vox-style AC30 if unavailable)BRIGHToffBOOSToff
GAIN 3 BASS 5 MID 6 TREBLE 6 PRESENCE 5 REVERB 7 MASTER 6
KnobSetting (0–10)
Gain3
Bass5
Mid6
Treble6
Presence5
Reverb7
Master6
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Guitar
PICKUPneck TONE7 VOLUME8
Signal chain

01Compressor (GP-200 internal)

Smooths dynamics for worship swells, keeps clean tone even

Level 6 · Sustain 4 · Attack 5

02Chorus (GP-200 internal - CE-2 or Dimension style)

Subtle shimmer, not obvious modulation - adds width

Rate 3 · Depth 5 · Mix 4

03Digital Delay (GP-200 internal - dotted 8th or quarter)

Set tempo to song BPM, dotted 8th for rhythmic ambient feel

Time 6 · Feedback 5 · Mix 5

04Hall Reverb (GP-200 internal)

Large hall or plate reverb for spacious worship ambience

Decay 7 · Pre-Delay 4 · Mix 6
Why these settings

Your GRG170DX has Infinity R humbuckers which are hotter than typical worship single-coils, so gain stays at 3 to keep the clean sparkle. Rolling tone to 7 tames the bridge frequencies from the ceramic pickups. The Matchless model on GP-200 is the go-to for Brazilian worship tones per Marcelo Cidrack's presets built specifically for this context.

PRO TIPUse volume swells with your pinky on the guitar volume knob (8 to 10) while picking arpeggios to create the signature pad-like intro texture — let the delay and reverb bloom as you fade in each note.

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