Smooth (feat. Rob Thomas) amp settings — Fender Twin Reverb
The Santana guitar tone for “Smooth (feat. Rob Thomas)”, dialed in for a Fender Twin Reverb with a Fender Jimi Hendrix Stratocaster. Studio cut, Supernatural (1999)
PRS Santana Signature + Mesa/Boogie Mark I / Mark IIC+ Lead Channel + Ibanez Tube Screamer TS9 + analog delay / plate reverb
| Knob | Setting (0–10) |
|---|---|
| Gain | 2 |
| Bass | 6 |
| Mid | 8 |
| Treble | 4 |
| Reverb | 0 |
| Master | 4 |
01Jim Dunlop Cry Baby GCB95
Leave bypassed for main lead lines; kick on only for accented wah flourishes
02Ibanez Tube Screamer TS9
Used as a mid-hump pre-boost stacking into the OD-3 to emulate Mesa preamp compression
03Boss OD-3 OverDrive
Primary high-gain engine providing the thick Mesa-style saturation into the clean Twin
04Boss RV-6 Reverb
Set Mode to Plate (or Spring) for Santana's studio ambience
A Fender Twin Reverb has high headroom and a naturally scooped EQ, whereas Santana's original Mesa Mark series is extremely mid-heavy and compressed. To adapt your single-coil Strat and clean Twin, the OD-3 provides the primary saturated drive, the TS9 acts as a mid-push booster in front of it, and the amp's Treble is dropped while Mids are pushed to 8. Rolling your Strat's neck tone knob to 7 rounds off single-coil glass to mimic Santana's fat humbucker voice.
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These settings are for a Fender Twin Reverb. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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