Tone library / Rob Zombie / Living Dead Girl

Living Dead Girl amp settings — Orange Crush 12

The Rob Zombie guitar tone for “Living Dead Girl”, dialed in for a Orange Crush 12 with a Ibanez GIO GRG170DX. Studio version, Hellbilly Deluxe (1998)

Original rig

Mike Riggs: Fernandes Vertigo / custom guitars with EMG 81 pickups into Marshall JCM800 / Valvestate heads and Mesa Boogie Dual Rectifier, tuned down to Drop C / D Standard

Aggressive, compressed industrial metal crunch with scooped lower-mids and sharp upper-mid bite
Amp settings — Orange Crush 12
CHANNELClean / Low Gain setting
GAIN 2 BASS 7 MID 4 TREBLE 7 MASTER 6
KnobSetting (0–10)
Gain2
Bass7
Mid4
Treble7
Master6
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Guitar
PICKUPbridge TONE10 VOLUME10
Signal chain

01Boss DS-1 Distortion

Primary distortion source direct into amp input

Tone 6 · Level 7 · Dist 8

02Ibanez Tube Screamer TS9

Tightening boost placed before DS-1 (or after) to cut flub and add razor attack

Drive 0 · Tone 7 · Level 8
Why these settings

The Orange Crush 12 naturally has thick low-mids and a dark British voice, whereas Riggs' industrial tone is razor-sharp and tightly gated. By running the DS-1 as the primary dirt source into a clean Crush 12 with amp Gain kept low at 2, you avoid muddy solid-state breakup and capture the aggressive clipping. The TS9 tightens the low end into the DS-1 while amp Treble is raised to 7 and Mids pulled back to 4 to mimic the industrial scooped attack. Tune your low E string down to Drop D (or Drop C) for the riff weight.

PRO TIPMute firmly with the fleshy base of your picking hand directly over the bridge saddles to get the robotic, staccato chug characteristic of industrial metal tracking.

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These settings are for a Orange Crush 12. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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