Crazy Train amp settings — Orange crush 12
The Ozzy Osbourne guitar tone for “Crazy Train”, dialed in for a Orange crush 12 with a Ibanez RGEW521FM-NTF. Studio version, Blizzard of Ozz (1980)
1974 Gibson Les Paul Custom (bridge), Marshall JMP 1959 Super Lead 100W (Presence: 5, Bass: 2, Mid: 6, Treble: 7, Volume I: 6), MXR Distortion+ (Output: 10, Dist: 4), MXR Ten Band EQ (heavy 500Hz boost)
| Knob | Setting (0–10) |
|---|---|
| Gain | 3 |
| Bass | 3 |
| Mid | 8 |
| Treble | 6 |
| Master | 7 |
01Vox Wah
Bypass for main tone; engage for solo fills if desired
02Ratt Distortion
Primary gain source — Rhoads ran the MXR Distortion+ with output maxed and distortion low; Ratt is gainier so pull Distortion back to 4. Filter at 7 pushes upper mids like Rhoads' 500Hz EQ boost
The Orange Crush 12 is warm with thick low-mids, opposite of the bright Altec-loaded Marshall Rhoads used. Amp gain set to 3 keeps it clean so the Ratt provides all distortion without mud. Mid pushed to 8 and bass dropped to 3 compensates for the Orange's inherent low-mid heft and recreates Rhoads' aggressive midrange bark. Your Ibanez humbuckers are hotter than Rhoads' PAF-style pickups, so the lower pedal distortion balances output.
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These settings are for a Orange crush 12. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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