Tone library / Queen / Bohemian Rhapsody

Bohemian Rhapsody amp settings — Yamaha THR10II

The Queen guitar tone for “Bohemian Rhapsody”, dialed in for a Yamaha THR10II with a Fender Player Stratocaster. Studio version, A Night at the Opera (1975) — Main Guitar Solo

Original rig

Red Special (Burns Tri-Sonic pickups in series out-of-phase) -> Dallas Rangemaster / custom Treble Booster -> cranked Vox AC30

Mid-focused, singing, vocal lead tone with distinct upper-mid harmonic bite and smooth saturation
Amp settings — Yamaha THR10II
CHANNELCRUNCH mode (Classic Vox AC30 emulation)
GAIN 9 BASS 4 MID 8 TREBLE 7 REVERB 2 MASTER 7
KnobSetting (0–10)
Gain9
Bass4
Mid8
Treble7
Reverb2
Master7
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Guitar
PICKUPneck+middle TONE4 VOLUME10
Signal chain

01Treble Booster (Dallas Rangemaster / Fryer style)

RECOMMENDED — not currently owned; essential for the exact singing Brian May saturation

Boost 8
Why these settings

The Yamaha THR10II CRUNCH amp type models an AC30; run the gain high to recreate a cranked Class A power section without an owned treble booster. On a standard Stratocaster, combine the neck and middle pickups and roll the guitar tone knob down to roughly 4 to simulate Brian May's fat, vocal out-of-phase Burns Tri-Sonic mid-honk. Adding a physical Treble Booster pedal later will push the amp into effortless singing sustain.

PRO TIPPick with an old British sixpence or a hard metal coin close to the bridge using light, precise edge strokes to capture May's signature chirpy attack and harmonic squeal.

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These settings are for a Yamaha THR10II. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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