Echoes amp settings — Valeton GP-200
The Pink Floyd guitar tone for “Echoes”, dialed in for a Valeton GP-200 with a Gibson SG Special. Studio version, Meddle (1971) — main riff and soaring fuzz solos
Fender Stratocaster (bridge pickup), Dallas Arbiter Fuzz Face (BC109 silicon), Binson Echorec 2 multi-head drum delay, Hiwatt DR103 Custom 100W head into WEM 4x12 Starfinder cabinet
| Knob | Setting (0–10) |
|---|---|
| Gain | 2 |
| Bass | 5 |
| Mid | 7 |
| Treble | 5 |
| Presence | 6 |
| Reverb | 3 |
| Master | 7 |
01Silicon Fuzz Block (Fuzz Face / Facial Fuzz)
Gain source — drives the clean amp model into rich sustain
02Tape Delay Block (Binson Echorec emulation)
Multi-tap rhythmic repeat set around 310ms to match the Echorec drum repeats
03Plate Reverb Block
Subtle ambient space behind the delay repeats
The GP-200's Hiwatt DR103 model is set ultra-clean with low gain to provide the flat, high-headroom canvas Gilmour relied on, letting the onboard Fuzz Face block generate all the saturation. Because your Gibson SG Special has thicker P-90s or humbuckers compared to Gilmour's bright Stratocaster bridge pickup, the guitar tone knob is rolled back slightly to 8 to tame harshness while the amp mids are pushed to 7 to retain the vocal cut. For the clean rhythmic funk interlude, bypass the fuzz block and switch to middle pickup position.
Get this tone on your amp
These settings are for a Valeton GP-200. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
Get ToneAdapt on Google PlaySong, artist and gear names are used to identify the tone being matched; ToneAdapt is not affiliated with or endorsed by the artists or manufacturers mentioned. Settings are AI-generated starting points — trust your ears.