Tone library / Pink Floyd / Comfortably Numb

Comfortably Numb amp settings — Yamaha THR10II

The Pink Floyd guitar tone for “Comfortably Numb”, dialed in for a Yamaha THR10II with a Ibanez GIO GRG170DX. Studio version, The Wall (1979) — Outro Solo

Original rig

1969 Black Stratocaster (DiMarzio FS-1 bridge pickup) -> MXR Dyna Comp -> 1974 EHX 'Ram's Head' Big Muff Pi -> 100W Hiwatt DR103 linked input into WEM 4x12 (Fane Crescendo speakers) blended with Yamaha RA-200 rotating speaker cabinet and MXR digital delay (~480ms)

Smooth, singing violin-like fuzz lead with rich sustain, rotary/chorus modulation, and ambient delay
Amp settings — Yamaha THR10II
CHANNELLEAD amp model (Classic mode)
GAIN 8 BASS 6 MID 7 TREBLE 5 REVERB 5 MASTER 7
KnobSetting (0–10)
Gain8
Bass6
Mid7
Treble5
Reverb5
Master7
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Guitar
PICKUPbridge TONE8 VOLUME10
Signal chain

01THR Onboard Chorus (emulating Yamaha RA-200 rotary)

Engage onboard Chorus/Flanger knob at around 9 o'clock

Speed 4 · Depth 5

02THR Onboard Delay

Set tap tempo to ~480ms or delay knob around 10-11 o'clock

Time 5 · Feedback 4 · Level 4
Why these settings

The Yamaha THR10II's Lead amp model provides the smooth, high-gain saturation and sustain of Gilmour's Ram's Head Big Muff running into a loud Hiwatt. The Ibanez humbucker has thicker mids and higher output than Gilmour's single-coil DiMarzio FS-1, so mid is set to 7 to preserve the vocal quality while the guitar's tone knob is rolled back slightly to 8 to tame top-end harshness. Onboard chorus and delay replicate the blended Yamaha RA-200 rotating cabinet and studio digital delay.

PRO TIPUse wide, slow, deliberate finger vibrato supported by the whole wrist, and pick firmly near the bridge to get the singing harmonic overtones on sustained bends.

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