Comfortably numb amp settings — Valeton GP-200
The Pink floyd guitar tone for “Comfortably numb”, dialed in for a Valeton GP-200 with a Squier Classic Vibe 60s Stratocaster. Studio version outro solo, The Wall (1979)
Fender 'Black Strat' (DiMarzio FS-1 bridge) -> MXR Dyna Comp -> EHX 'Ram's Head' Big Muff Pi -> Hiwatt DR103 Custom 100 Head & Yamaha RA-200 rotary speaker
| Knob | Setting (0–10) |
|---|---|
| Gain | 3 |
| Bass | 6 |
| Mid | 7 |
| Treble | 5 |
| Presence | 4 |
| Reverb | 4 |
| Master | 7 |
01D-Comp (Compressor block)
Even sustain and attack before dirt
02Pi Muff (Distortion block)
Primary gain source; smooth high-end roll-off
03Rotary / Uni-Vibe block
Emulates the Yamaha RA-200 swirl; keep subtle
04Analog Delay block
Set delay time around 375ms (dotted eighth/quarter mix) with moderate repeats
The Hiwatt amp model is dialed clean with strong mids (7) to act as a robust platform for the onboard Big Muff block, keeping amp gain low at 3 to prevent digital mud. The Strat bridge single-coil is paired with the tone knob rolled down slightly to 8 and Muff Tone set to 4 to tame vintage Strat brightness and match Gilmour's hotter, darker DiMarzio bridge pickup. A subtle rotary block and 375ms analog delay replicate the ambient dimensional spread of the Yamaha rotary speaker and studio plate decay.
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These settings are for a Valeton GP-200. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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