Tone library / Pink Floyd / Comfortably Numb

Comfortably Numb amp settings — Stranger C15

The Pink Floyd guitar tone for “Comfortably Numb”, dialed in for a Stranger C15 with a Jackson JS22 Dinky. Studio version outro solo, The Wall (1979)

Original rig

Fender Stratocaster ('Black Strat' with DiMarzio FS-1 bridge pickup) -> MXR Dyna Comp -> EHX 'Ram's Head' Big Muff Pi -> Hiwatt DR103 100W Head & Yamaha RA-200 rotary cabinet

Smooth, singing violin-like fuzz sustain with slight rotary swirl and long ambient decay
Amp settings — Stranger C15
CHANNELOverdrive / Drive ChannelBOOSToff
GAIN 7 BASS 5 MID 6 TREBLE 5 MASTER 6
KnobSetting (0–10)
Gain7
Bass5
Mid6
Treble5
Master6
Don’t have a Stranger C15? See this song on other amps → Match your own rig →
Guitar
PICKUPbridge TONE8 VOLUME10
Signal chain

01Electro-Harmonix Ram's Head Big Muff Pi

RECOMMENDED — not currently owned

Volume 7 · Tone 5 · Sustain 8

02Digital Delay (or Analog Delay)

RECOMMENDED — not currently owned

E.Level 4 · F.Back 5 · D.Time 6
Why these settings

The Stranger C15 practice amp has a basic 3-band EQ and no onboard reverb or presence control, so those knobs are nulled. Because you own no pedals, the amp's onboard drive channel is dialed to gain 7 to capture the necessary singing sustain without turning into harsh solid-state clipping. Rolling the JS22 humbucker's tone knob back to 8 tames the top-end bite to mimic Gilmour's smooth, violin-like Muff character. Adding a Ram's Head Big Muff clone and a delay pedal will allow you to switch to the amp's clean channel with gain dropped to 2 for the authentic studio texture.

PRO TIPPick smoothly near the neck joint rather than right over the bridge pickup to round off the initial transient attack, enhancing the fluid violin-like sustain on bends.

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These settings are for a Stranger C15. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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